NABF Newsletter
NO. 3
THE DESTINY OF THE YAMAKI PINE
By Chris Cochrane
The destiny of a bonsai to strengthen world friendship is
sometimes not obvious. At other times, it so obvious that
we can only marvel at its piquancy.
An event occurred on a recent spring weekend at the National
Bonsai and Penjing Museum. The curator of arts and archives
Jackson Tanner was passing the receptionist desk of the U.S.
National Arboretum after the Museum had closed. The receptionist
was trying to decipher a question being asked by five visitors
who had apparently arrived late to the Museum, but who anxiously
wished to visit a particular tree. Jackson stopped to listen.
Though language was a barrier, Jackson learned that the visitors
from Japan had come to the Museum to visit a family's gift
to the Museum collection. Jackson called the museum's curator
Jack Sustic who quickly arranged a special showing. No one
recognized the family connection to a particular tree until
Jack recognized the name "Yamaki"... and he led
the visitors through the entire collection, beginning at its
exit, until stopping at the bonsai which now graces the entry
to the Collection. At an estimated age of over 375 years,
today this bonsai is the oldest tree in the collection.
The bonsai that the family had come to see was the Japanese
five-needle pine donated by Masaru Yamaki. This tree had survived
the bomb blast at Hiroshima (see
the article) though it sat only 3 kilometers (less than
2 miles) from the the explosion! It had been tended by the
Yamaki family for generations. During the United States Bicentennial
celebration n 1976, Mr. Yamaki gave this tree to the American
people as part of the original Japanese Bonsai Collection.
PHOTO BELOW: Jin, Takako, Amaki and Takehashi Tatsuzaki
with Mararu Yamaki’s Japanese five-needle pine bonsai.
May 9, 2003.
PHOTO BELOW: Jin & Takako Tatsuzaki with Bonsai Museum
curators Jim Hughes and Jack Sustic
The unannounced visitor was Mrs. Takako Tatsuzaki-- Masaru
Yamaki's daughter. She had brought her husband Takashi Tatsuzaki
as well as her son Jin and daughter Amaki to see her father's
gift as well as introducing the tree to two family friends,
Mr. and Mrs. Takehisa Iizuka (not pictured). Mrs. Tatzusaki
was jubilant regarding the tree's health. The Museum curators
were exuberant that they had the opportunity to meet the family
of the donor. Each participant in this meeting shared a deep
feeling of Mr. Yamaki’s unbounded generosity expressed
through an extraordinary bonsai donation to the National Bonsai
and Penjing Museum.
By coincidence, the visitors arrived on the day the National
Bonsai Foundation held its annual meeting. They were invited
to dinner that evening with board members and guests where
American bonsai enthusiasts learned more of this extraordinary
family and its precious bonsai gift.
BELOW: Jin, Amaki, Takako and Takehashi Tatsuzaki
One of Masaru Yamaki’s great gifts was the beauty he
shared through bonsai appreciation. He could maintain trees
far beyond the ordinary, yet this is the guidance he shared
with others on appreciating bonsai:
Each bonsai has its special quality. Some express changes
in the four seasons, while others express the elegance of
nature in a pot.
Bonsai is not limited to expensive trees in a classic
shape. Indeed, by using excessive wire or growing unnecessary
branches in order to create a classic shape, the artist
may fail to express the tree's essential beauty.
Trees best expressing bonsai no kokoro (the spirit of bonsai)
are often marked by unaffected simplicity. Even if the tree
has a slender trunk, it can still touch one's heart deeply,
conveying with overflowing vitality the beauty of nature
in fields and mountains. (translation from “The Hiroshima
Survivor” on NBF’s website)
Visitors to the National Bonsai and Penjing Museum marvel
at the Yamaki pine’s health and vigor today. Visitors
marvel at its distant as well as its more recent history.
When envisioning the thoughtful reflection of the Masaru Yamaki’s
family before this gift, a visitor must marvel at its donor’s
deep spirit expressed through this bonsai.
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